01Profile
A SNAYX Photo
Musicians — Brighton
A SNAYX Photo
Name, where are you from?
O: Ollie, Brighton.
C: Charlie, Seaford.
Describe your style in three words?
How many amps?!
What’s the best gig you’ve ever been to?
O: The Amazing Snakeheads at The Haunt, Brighton. It felt like one of those ‘I was there’ moments. Someone tried to get up on stage and the bassist decked him off it. They introduced me to Buckfast that night too. That band made a huge impact on me and many other bands we know.
C: Difficult to pick just one as I’ve been lucky enough to see so many incredible artists live! With tough competition from The Prodigy to Queens of The Stone Age, I think I have to go with Gorillaz live at the Brighton Centre. It was one of the most complete performances I’ve ever seen. The sound and visual elements were all absolutely perfect. The classic tunes were timeless and nostalgic and track after track the production left an overwhelming feeling of inspiration.
If you could be on the line up with any two bands in history?
The Sex Pistols and The Clash to experience the well-documented chaos of the early UK punk movement. Probably wouldn’t lend them our equipment though...
Which subcultures have influenced you?
O: Between the two of us, we’ve played in rockabilly, ska, punk and indie bands. Skinhead subculture is a big one for me though, I learned guitar playing along to reggae and ska records.
C: My family have always been heavily involved in indie rock, Britpop and mod culture. In my family, you are practically born in a Fred Perry and you listen to guitar music. I listened religiously to Oasis, Blur, The Verve, The Smiths, Doves, Elastica, Gene and most importantly, The Rifles. We’re also taking particular influence from '90s dance/trance culture at the moment for the new stuff we’re writing. One of my favourite things I listened to while growing up was a '101 Trance Anthems' CD my parents had and numerous 'Ministry of Sound' dance mixes.
If you could spend an hour with anyone from history?
O: Lemmy from Motörhead. So many great stories. I’d do my absolute best to keep up with him if we’re having a drink.
Of all the independent venues you’ve played, which is your favourite?
The Green Door Store in Brighton. Rough, ready and has always been good to us. We played our last Brighton show there before the UK locked-down, and then fittingly played our first full capacity show back there with the legends Kid Kapichi.
Your greatest unsung hero or heroine in music?
C: The Rifles have been around for years and in our opinion should be one of the biggest bands out there. Joel is one of the greatest songwriters we’ve ever met and every track is catchy and oozes quality. The band are amazing live and every time we see them play, we find ourselves down the front singing our lungs out to every single song. We were introduced to The Rifles by my aunt and uncle (A.K.A STAX), who have followed them all over Europe and become good friends with the band. Also, shout out DEAANOOOO!
The first track you played on repeat?
O: I remember 'Clint Eastwood' or '19-2000' by Gorillaz being on repeat a lot.
C: 'Otherside' by Red Hot Chill Peppers is one I played non-stop as a teen.
A song that defines the teenage you?
O: 'American Idiot' by Green Day.
C: I’m also going with Green Day but I’m going to go with the song 'Holiday'.
One record you would keep forever?
'Insomnia' by Faithless - A massive best-of-British dance anthem that we will never tire of hearing.
A song lyric that has inspired you?
C: "There's no one left to blame,
So I'll choose the person nearest,
Because if I'm to have this pain,
Someone else is gonna feel it,
Leave a radio by the bath,
But I am far too spineless,
Utterly gutless,
Oh I didn't ask for any of this”
From 'No One Left To Blame' by Martin Rossiter. Martin was one of my tutors in college (Access To Music) that always inspired me to bring greater meaning to my lyrics. This is just a section from one of the songs on his solo album that demonstrates his refined talent as a wordsmith. When lyrics are both profound yet universally understandable, the listener can connect with the song on a far deeper level. I always aspire for that.
A song you wished you had written?
C: 'Doorman' by Slowthai.
O: 'Guns of Brixton' by The Clash. Paul Simonon and that track, in particular, inspired me to transition from guitar to bass.
Best song to turn up loud?
'Beauty' or 'Sleepwalker' by Tigercub.
A song people wouldn’t expect you to like?
O: 'Believe' by Cher.
C: 'I Got The' by Labi Siffre.
The song that would get you straight on the dance floor?
'Breathe' by The Prodigy.
Best song to end an all-nighter?
'Miami' by Baxter Dury.
Any new bands you are into at the moment?
'Usual Suspects' by Monakis.
'Reincarnate' by Witch Fever.
'Alive' by Breezer.
'American Scream' by Kid Kapichi.
'Lonely Girl' by LibraLibra.
'We Live Here' by Bob Vylan.
'Twisted Words' by Murderers are Optimists.
'There’s A Sense' by Weekend Recovery.
'Happy Pills' by Snake Eyes.
'Stay Cool' by HotWax.
'Undertaker (Fever 333 Remix)' by Nova Twins.
'Nine Lives' by Strange Bones/Calva Louise.
'Zero' by Projector.
Name, where are you from?
O: Ollie, Brighton.
C: Charlie, Seaford.
Describe your style in three words?
How many amps?!
What’s the best gig you’ve ever been to?
O: The Amazing Snakeheads at The Haunt, Brighton. It felt like one of those ‘I was there’ moments. Someone tried to get up on stage and the bassist decked him off it. They introduced me to Buckfast that night too. That band made a huge impact on me and many other bands we know.
C: Difficult to pick just one as I’ve been lucky enough to see so many incredible artists live! With tough competition from The Prodigy to Queens of The Stone Age, I think I have to go with Gorillaz live at the Brighton Centre. It was one of the most complete performances I’ve ever seen. The sound and visual elements were all absolutely perfect. The classic tunes were timeless and nostalgic and track after track the production left an overwhelming feeling of inspiration.
If you could be on the line up with any two bands in history?
The Sex Pistols and The Clash to experience the well-documented chaos of the early UK punk movement. Probably wouldn’t lend them our equipment though...
Which subcultures have influenced you?
O: Between the two of us, we’ve played in rockabilly, ska, punk and indie bands. Skinhead subculture is a big one for me though, I learned guitar playing along to reggae and ska records.
C: My family have always been heavily involved in indie rock, Britpop and mod culture. In my family, you are practically born in a Fred Perry and you listen to guitar music. I listened religiously to Oasis, Blur, The Verve, The Smiths, Doves, Elastica, Gene and most importantly, The Rifles. We’re also taking particular influence from '90s dance/trance culture at the moment for the new stuff we’re writing. One of my favourite things I listened to while growing up was a '101 Trance Anthems' CD my parents had and numerous 'Ministry of Sound' dance mixes.
If you could spend an hour with anyone from history?
O: Lemmy from Motörhead. So many great stories. I’d do my absolute best to keep up with him if we’re having a drink.
Of all the independent venues you’ve played, which is your favourite?
The Green Door Store in Brighton. Rough, ready and has always been good to us. We played our last Brighton show there before the UK locked-down, and then fittingly played our first full capacity show back there with the legends Kid Kapichi.
Your greatest unsung hero or heroine in music?
C: The Rifles have been around for years and in our opinion should be one of the biggest bands out there. Joel is one of the greatest songwriters we’ve ever met and every track is catchy and oozes quality. The band are amazing live and every time we see them play, we find ourselves down the front singing our lungs out to every single song. We were introduced to The Rifles by my aunt and uncle (A.K.A STAX), who have followed them all over Europe and become good friends with the band. Also, shout out DEAANOOOO!
The first track you played on repeat?
O: I remember 'Clint Eastwood' or '19-2000' by Gorillaz being on repeat a lot.
C: 'Otherside' by Red Hot Chill Peppers is one I played non-stop as a teen.
A song that defines the teenage you?
O: 'American Idiot' by Green Day.
C: I’m also going with Green Day but I’m going to go with the song 'Holiday'.
One record you would keep forever?
'Insomnia' by Faithless - A massive best-of-British dance anthem that we will never tire of hearing.
A song lyric that has inspired you?
C: "There's no one left to blame,
So I'll choose the person nearest,
Because if I'm to have this pain,
Someone else is gonna feel it,
Leave a radio by the bath,
But I am far too spineless,
Utterly gutless,
Oh I didn't ask for any of this”
From 'No One Left To Blame' by Martin Rossiter. Martin was one of my tutors in college (Access To Music) that always inspired me to bring greater meaning to my lyrics. This is just a section from one of the songs on his solo album that demonstrates his refined talent as a wordsmith. When lyrics are both profound yet universally understandable, the listener can connect with the song on a far deeper level. I always aspire for that.
A song you wished you had written?
C: 'Doorman' by Slowthai.
O: 'Guns of Brixton' by The Clash. Paul Simonon and that track, in particular, inspired me to transition from guitar to bass.
Best song to turn up loud?
'Beauty' or 'Sleepwalker' by Tigercub.
A song people wouldn’t expect you to like?
O: 'Believe' by Cher.
C: 'I Got The' by Labi Siffre.
The song that would get you straight on the dance floor?
'Breathe' by The Prodigy.
Best song to end an all-nighter?
'Miami' by Baxter Dury.
Any new bands you are into at the moment?
'Usual Suspects' by Monakis.
'Reincarnate' by Witch Fever.
'Alive' by Breezer.
'American Scream' by Kid Kapichi.
'Lonely Girl' by LibraLibra.
'We Live Here' by Bob Vylan.
'Twisted Words' by Murderers are Optimists.
'There’s A Sense' by Weekend Recovery.
'Happy Pills' by Snake Eyes.
'Stay Cool' by HotWax.
'Undertaker (Fever 333 Remix)' by Nova Twins.
'Nine Lives' by Strange Bones/Calva Louise.
'Zero' by Projector.