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A Miru Shinoda Photo
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Musician — Osaka
A Miru Shinoda Photo
Name, where are you from?
MIRU SHINODA, Osaka.
What do you do?
Musician.
What’s the best gig you’ve ever been to?
That’s a really hard one. There are too many gigs to mention but a DJ set by Kode9 at WWW Shibuya was the sickest gig I’ve seen most recently. He did both a DJ set and the audio-collab performance with Lawrence Lek, a Chinese filmmaker. A great project but I also have to mention that his set was packed with so much DJ culture from the UK, with genres ranging from grime, jungle, drum and bass to current techno sounds. All of which were new releases though, his quick short mixing style using volume faders one after another was just so British. It was such a rich inspiration in wide aspects.
Which subcultures have influenced you?
It’s the mood that British subcultures have, rather than particular ones like mods or skinheads. If I were to put that mood into words, firstly, it’s the cynical sense of British humour. Dating back to the ‘60s with likes of Monty Python and then there is the film 'Brazil' of course, which then links to the excessiveness of IDM in the ‘90s. On the other hand, there’s the dull and dreary sense of melancholy, could be due to the British weather but I suppose I get influenced by all of it.
Of all the venues you’ve played, which is your favourite?
Coming back from the China tour, I’ll have to say AXIS in Chengdu which is a fresh new small venue with a good sound system. I also like the vibe that they have, as youths, they are going to light up the underground scene.
If you could be on the line up with any bands in history?
Original members of Throbbing Gristle. I’d want to see them live and also to collaborate with them. I really don’t know what I could contribute so I’d be the dancer (laughs).
If you could spend an hour with anyone from history?
A drive or a stroll around the park with Burial. Apparently, his track making process involves walking driving around London while feeling gloomy.
Your greatest unsung hero or heroine in music?
A female electronic music producer called Delia Derbyshire. She has become known for her production of the theme tune for the Sci-Fi TV program, 'Doctor Who'. She had also been active since the ‘60s, making tape collages, through the dawn of the analogue synthesizers - which makes her such a legend. It’s worth pointing out that her career started at the BBC, not from the academic field. You’ won't find it in the playlist but she was in a band called the White Noise.
How did you select the tracks for this playlist?
Like I mentioned earlier, something with dark humour and a melancholic mentality. I thought I should make the list from a DJ’s perspective since I often DJ myself but it’s a playlist so I made it especially for listening.
The first track you played on repeat?
'Flash' by Queen. I got to know the track through their best album 'Jewels' which was released after gaining national fame due to the drama’s heavy use of tracks by Queen.
A song that defines the teenage you?
'Disorder' by Joy Division. It is a portrayal of wistful teens.
One record you would keep forever?
'Windowlicker' by Aphex Twin. I picked this by its album cover. It’s an EP I know but let’s say I will keep it as a charm.
A song lyric that has inspired you?
I was inspired recently by James Blake’s album 'Assume Form'. He found his precious partner then moved to spacious LA away from cramped London. He could have been struggling but definitely keeps moving forward and living his life. That’s nice and you really get that from the record.
Best song to turn up loud?
Probably never. I do dance naked at home sometimes, though.
A song people wouldn’t expect you to like?
Tracks by The 1975. I see them as my favourite idols. Yes, I saw their first gig in Japan too.
Any new music you are listening to now?
Loraine James. Her release from Hyperdub 'For You And I' is my best of 2019. She does glitch, IDM, noise or grime sounds with hints of melancholic and sorrowful in between.
Name, where are you from?
MIRU SHINODA, Osaka.
What do you do?
Musician.
What’s the best gig you’ve ever been to?
That’s a really hard one. There are too many gigs to mention but a DJ set by Kode9 at WWW Shibuya was the sickest gig I’ve seen most recently. He did both a DJ set and the audio-collab performance with Lawrence Lek, a Chinese filmmaker. A great project but I also have to mention that his set was packed with so much DJ culture from the UK, with genres ranging from grime, jungle, drum and bass to current techno sounds. All of which were new releases though, his quick short mixing style using volume faders one after another was just so British. It was such a rich inspiration in wide aspects.
Which subcultures have influenced you?
It’s the mood that British subcultures have, rather than particular ones like mods or skinheads. If I were to put that mood into words, firstly, it’s the cynical sense of British humour. Dating back to the ‘60s with likes of Monty Python and then there is the film 'Brazil' of course, which then links to the excessiveness of IDM in the ‘90s. On the other hand, there’s the dull and dreary sense of melancholy, could be due to the British weather but I suppose I get influenced by all of it.
Of all the venues you’ve played, which is your favourite?
Coming back from the China tour, I’ll have to say AXIS in Chengdu which is a fresh new small venue with a good sound system. I also like the vibe that they have, as youths, they are going to light up the underground scene.
If you could be on the line up with any bands in history?
Original members of Throbbing Gristle. I’d want to see them live and also to collaborate with them. I really don’t know what I could contribute so I’d be the dancer (laughs).
If you could spend an hour with anyone from history?
A drive or a stroll around the park with Burial. Apparently, his track making process involves walking driving around London while feeling gloomy.
Your greatest unsung hero or heroine in music?
A female electronic music producer called Delia Derbyshire. She has become known for her production of the theme tune for the Sci-Fi TV program, 'Doctor Who'. She had also been active since the ‘60s, making tape collages, through the dawn of the analogue synthesizers - which makes her such a legend. It’s worth pointing out that her career started at the BBC, not from the academic field. You’ won't find it in the playlist but she was in a band called the White Noise.
How did you select the tracks for this playlist?
Like I mentioned earlier, something with dark humour and a melancholic mentality. I thought I should make the list from a DJ’s perspective since I often DJ myself but it’s a playlist so I made it especially for listening.
The first track you played on repeat?
'Flash' by Queen. I got to know the track through their best album 'Jewels' which was released after gaining national fame due to the drama’s heavy use of tracks by Queen.
A song that defines the teenage you?
'Disorder' by Joy Division. It is a portrayal of wistful teens.
One record you would keep forever?
'Windowlicker' by Aphex Twin. I picked this by its album cover. It’s an EP I know but let’s say I will keep it as a charm.
A song lyric that has inspired you?
I was inspired recently by James Blake’s album 'Assume Form'. He found his precious partner then moved to spacious LA away from cramped London. He could have been struggling but definitely keeps moving forward and living his life. That’s nice and you really get that from the record.
Best song to turn up loud?
Probably never. I do dance naked at home sometimes, though.
A song people wouldn’t expect you to like?
Tracks by The 1975. I see them as my favourite idols. Yes, I saw their first gig in Japan too.
Any new music you are listening to now?
Loraine James. Her release from Hyperdub 'For You And I' is my best of 2019. She does glitch, IDM, noise or grime sounds with hints of melancholic and sorrowful in between.